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Statistics

Overall ranking: #211
Number of points: 802
Number of users that ranked this movie: 66
Average ranking in the users lists: #9

Reviews

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Users that ranked Eclisse, L':

Kevin K #1 in the list
Espen N. #1 in the list
Bruise Pristine #15 in the list
Dennis B'yotch #9 in the list
Blake Williams #4 in the list
The Electric Kerouacid Test #15 in the list
The Band #2 in the list
Carlos Pereira #15 in the list
Mohammed Ali #12 in the list
Carlson Karl #8 in the list
Pélissier Félix #8 in the list
JL G #8 in the list
Armina S. #11 in the list
Goga SLO. #5 in the list
Juanito Segundo de Chomón #16 in the list
Diogo Sequeira #19 in the list
Jesse Richards #4 in the list
Froilan Vispo #13 in the list
Daniel Rudolf #8 in the list
Ho wave #13 in the list
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Bruise Pristine wrote on 26 june 2008
The last 8 minutes is the greatest thing ever captured on film.
Jake Aesthete wrote on 4 may 2008
More accessible than Blow-Up? No way...
Pat . wrote on 28 april 2008
I think The Passenger is Antonioni's most accessible, by far.
336483772 . wrote on 7 july 2007
I'm not sure that any other filmmaker has ever developed their characters so completely and realistically using so little dialogue or plot as Antonioni did here.
Welcome To: Z-Land wrote on 24 april 2007
Dr. Remlaw wrote on 8 april 2007
Hyper-aware. L'Eclisse makes me see the world more clearly.

Well said. Antonioni was way ahead of his time.
Adam (Japan) wrote on 8 april 2007
Hyper-aware. L'Eclisse makes me see the world more clearly.
Espen N. wrote on 5 april 2007
I agree that L'Eclisse is the trilogy's most demanding film, but for I think it's the most spellbinding. As illustrated so devastatingly good in the finale, I felt I was left so alone after watching it.
Jay M wrote on 3 august 2006
Some good points raised here about L'ECLISSE. I would agree with Tarko's interpretation. But also agree it's not Antonioni's most accessible film. I couldn't say (after having seen all his features except a couple of later ones) that any are accesible, because he did not make 'accessible' films. He demands a lot from viewers; you have to put a lot of your own thought into the experience of watching the films. Antonioni deliberately does not spell things out, and he deliberately subverts our expecations all the time. Watching Antonioni, we must re-assess our ideas about reality and life.
La Lauren wrote on 11 may 2006
No, I don't believe this is his most accessible. The ending would be lost on a new viewer. For that matter, so would the ending of Blowup. My recommendation to an Antonioni newbie would be to start with L'Avventura, watch it once, watch it again with the Criterion commentary running. The watch the rest of the 'eros is sick' trilogy (La Notte & L'Eclisse). He's difficult, and nothing is terribly 'accessible' apart from his earlier neorealist films, which aren't nearly as interesting as his work in the 60s.
Tyler L wrote on 25 march 2006
This is NOT the most accessible work form Antonioni. Blow up is. This is actually a quite difficult film.